Wynn White is an American fine art black and white photographer and printer living in Chiba, Japan. A selection of his beautiful images are projected alongside the historic Hiroshige woodblock prints in Tokaido Road. A particularly ‘hands on’ photographer, Wynn does all of his own gelatin-silver processing and printing, getting involved in every step of the process. He also uses various historic techniques of printing, including salt, cyanotype, Vandyke, argyrotype and platinum/palladium.
See his work at: firstname.lastname@example.org
Forthcoming exhibitions: ART Photography ASIA, exhibition in Izu-Kogen May 1 to May 18 2014 https://www.facebook.com/artphotoasia.
A selection of Wynn’s Japanese photographs will form an exhibition at the Parabola Theatre in Cheltenham to coincide with the Tokaido Road premiere on 6th July 2014. As with all his work, the prints displayed are all handmade by Wynn in his darkroom.
What first attracted you to the idea of the Tokaido Road project?
I first learned of the Tokaido Road project through Nancy Gaffield. We share a common love of Japan and both have been influenced greatly by the Japanese culture. After reading Nancy’s book I became excited at the prospect of my imagery being incorporated in the project.
Tell us about your involvement in Tokaido Road.
My involvement in Tokaido Road has been solely on the visual side. I love it when images and music are effectively brought together and I’m doing my best to help make that happen in this project.
What excites you about contemporary arts?
To me all forms of art are an expression of life. Never before have artists had so many means of expressing their passion. Personally, it has been a chance to connect the line between the oldest photographic technologies with the most modern.
What has the project taught you / shown you / made you aware of?
This project has brought me back to Japan. Although I have lived in Japan for over thirty years, much of my recent work has been done outside of this country. It has brought me back home, so to speak. In thinking about the time that Ando Hiroshige’s wonderful ukyoe prints of Tokaido Gojusan Tsugi were made I looked back to photography at that time in the 1830’s. Ironically, Fox Talbot had just made his first photographic prints in that era. This inspired me to use the same techniques of old to produce my photographic prints for the accompanying exhibition. Since salt is the basis in Talbot’s printing technique I decided why not use the water of Tokyo Bay as the salting solution for my prints and I am pleased with the results.
What relevance, for you, does the project have to today’s cultural environment?
This Tokaido Road project is a cross cultural celebration of the arts. It combines all of the arts with few language barriers. It can be enjoyed by young and old from all countries of the world. For me personally, Tokaido Road gives me the opportunity to share some of the cultural gains that I have made here in Japan with the rest of the world.