Private View at Beach Creative

Fabulous evening at Beach Creative in Herne Bay last night, at which Nancy Gaffield and Wynn White were In Conversation, talking about their individual as well as their collaborative processes on Tokaido Road.

Wynn’s photographs are currently being exhibited at Beach Creative as one of several events leading up to tomorrow’s performance at The Gulbenkian Theatre in Canterbury, and last night was the opportunity to get up close and personal with both Wynn and his images, as he took the assembled crowd through his creative process, interspersed with Nancy reading from her cycle of poems.

Thank you to Beach Creative for hosting Wynn’s exhibition, and for last night’s In Conversation; it all builds up to tomorrow night’s performance – see you there!

Exhibition of Wynn White’s photographs at Beach Creative

As the build-up to the performance of Tokaido Road at the Gulbenkian Theatre in Canterbury on Sat 23 May, we’re delighted that the satellite exhibition of Wynn White’s photographs is now open at Beach Creative in Herne Bay.

American-born now living in Japan, Wynn is a hands-on photographer using several historic printing techniques that are becoming increasingly rare; several of Wynn’s mesmerising photos are projected onto the stage during the opera; the exhibition at Beach Creative sets Wynn’s photos within the context of his work, and allows a wider appreciation of his creativity.

beach_creative_logoThe exhibition runs until 23 May; admission is free, find out more about Beach Creative here.

 

Five Questions: photographer Wynn White

Wynn White is an American fine art black and white photographer and printer living in Chiba, Japan. A selection of his beautiful images are projected alongside the historic Hiroshige woodblock prints in Tokaido Road. A particularly ‘hands on’ photographer,  Wynn does all of his own gelatin-silver processing and printing, getting involved in every step of the process. He also uses various historic techniques of printing, including salt, cyanotype, Vandyke, argyrotype and platinum/palladium.

 

Pier, New Year’s Morning (Wynn White)

Pier, New Year’s Morning (Wynn White)

 

See his work at: wynn@wynnwhitephoto.com

Forthcoming exhibitions: ART Photography ASIA, exhibition in Izu-Kogen May 1 to May 18 2014 https://www.facebook.com/artphotoasia.

A selection of Wynn’s Japanese photographs will form an exhibition at the Parabola Theatre in Cheltenham to coincide with the Tokaido Road premiere on 6th July 2014. As with all his work, the prints displayed are all handmade by Wynn in his darkroom.

 

Nihonbashi (Wynn White)

Nihonbashi (Wynn White)

 

What first attracted you to the idea of the Tokaido Road project?

 I first learned of the Tokaido Road project through Nancy Gaffield. We share a common love of Japan and both have been influenced greatly by the Japanese culture. After reading Nancy’s book I became excited at the prospect of my imagery being incorporated in the project.

Tell us about your involvement in Tokaido Road.

 My involvement in Tokaido Road has been solely on the visual side. I love it when images and music are effectively brought together and I’m doing my best to help make that happen in this project.

 What excites you about contemporary arts?

 To me all forms of art are an expression of life. Never before have artists had so many means of expressing their passion. Personally, it has been a chance to connect the line between the oldest photographic technologies with the most modern.

Purification Water at Shinshoji (Wynn White)

Purification Water at Shinshoji (Wynn White)

What has the project taught you / shown you / made you aware of?

 This project has brought me back to Japan. Although I have lived in Japan for over thirty years, much of my recent work has been done outside of this country. It has brought me back home, so to speak. In thinking about the time that Ando Hiroshige’s wonderful ukyoe prints of Tokaido Gojusan Tsugi were made I looked back to photography at that time in the 1830’s. Ironically, Fox Talbot had just made his first photographic prints in that era. This inspired me to use the same techniques of old to produce my photographic prints for the accompanying exhibition. Since salt is the basis in Talbot’s printing technique I decided why not use the water of Tokyo Bay as the salting solution for my prints and I am pleased with the results.

What relevance, for you, does the project have to today’s cultural environment?

This Tokaido Road project is a cross cultural celebration of the arts. It combines all of the arts with few language barriers. It can be enjoyed by young and old from all countries of the world. For me personally, Tokaido Road gives me the opportunity to share some of the cultural gains that I have made here in Japan with the rest of the world.

 

Sand Mound - Ginkakuji, Kyoto (Wynn White)

Sand Mound – Ginkakuji, Kyoto (Wynn White)