Thanks to photographer Greg Trezise for some stunning images which capture the premiere performance of Tokaido Road at the Cheltenham Festival last week.
Images © Greg Trezise
If you missed the premiere of Tokaido Road at the Cheltenham Festival last weekend, fear not: read this insightful review from composer and blogger (and the ever-articulate) Simon Cummings.
Photos from the premiere to come very shortly….
To whet your appetites for the premiere at Cheltenham Festival this Sunday…
Find out more about Sunday’s performance online here.
Much excitement in Tokaido Road Towers as we reach the final milestone; a week to go until we premiere at this year’s Cheltenham Festival.
Yesterday, a few of us gathered to watch the dress rehearsal, the final event before we pack up and prepare to head to Cheltenham a week today. Both composer and librettist were present, looking excited, and as the lights dimmed, the figure of an elderly Hiroshige gazed out at us, whilst on-stage the members of Okeanos Ensemble were already seated, ready to play.
I’m not going to give much away about what unfolded next – you’ll just have to find out for yourself at next week’s premiere! – but the next fifty minutes offered a truly enchanting realisation of Nancy’s poems; it’s as if the libretto stretches the original poems out, affording the opportunity to delve deeper beneath the surface and explore a greater narrative nuance.
There are some memorable moments as you follow the young Hiro along the Tokaido Road, some wonderfully exotic soundscapes that Nicola LeFanu has distilled from the multi-instrument-juggling chamber ensemble, enhanced by several unusual instruments (keep an eye out for a particularly macabre percussion instrument that appears later in the piece!).
As the piece ended and the lights faded, there was a sense that we’d been taken to an emotional space that was quite something, in a meeting of Eastern and Western cultures that afforded a small glimpse into various points along Hiroshige’s journey along the Tokaido Road; each of us being led on our own, personal odyssey, writ large across the stage. The combination of Nicola’s shimmering soundworld and Nancy’s hypnotic words opens up an extraordinary landscape for the listener, mapping Hiro’s own travels but opening them out into something much more universal, a potent humanity that speaks to each of us across the years since the original prints captured these fragile instances in the Japanese countryside.
Now the production goes into especially-marked flight-cases, ready to embark on its own road to Cheltenham on Sunday 6 July, and various venues thereafter. Join us along The Road, and prepare for a mesmerising experience…
Rehearsals started in earnest yesterday for Tokaido Road, and with the premiere performance at this year’s Cheltenham Festival two weeks this Sunday, excitement is running high amongst the team.
After all the preparations, the funding applications, bureaucratic endeavour and lengthy incubation process, now the real fun begins. The stage set has been delivered; fabulous costumes have arrived from Japan; the musical and technical teams are assembled, and we’re now in the rehearsal period in earnest.
Side by side, too, are the original book of poems on which the opera is based, and the recently-published opera libretto.
Find out more about the Cheltenham Festival premiere on the festival website here.
Not long to go now…
High excitement in the boardroom at Tokaido Road Towers this afternoon, as the programme for this year’s Cheltenham Festival has gone live today – including the première of our chamber opera.
The event is on Sunday 6 July at the Parabola Arts Centre, starting at 4.30pm.
Tickets will be available soon. Find out more on the Cheltenham Festival website here.
Update: tickets will be available from the Cheltenham Festival website from 24 March. Read more about Tokaido Road from WildKat PR online here.